Need for Speed
by Bjørn Rørslett 

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All these impressive lenses shown on previous web pages can do nothing constructive on their own, so it is obviously the photographer's abilities which determine the end results. Suffice to say that you have to learn to approach your surroundings with a keen eye as to which objects can benefit from speed treatment.

Soaring

Soaring

© Bjørn Rørslett/N

Nikon D1H, Rodenstock XR-Heligon 75 mm f/1.1

An easy shot to make with the large-aperture 75 mm Rodenstock lens.

Getting the background isolated is frequently considered the forte of telephoto lenses. I admit this has been my traditional approach to do "optical cleaning" of a close-up motif, that is, until the first of my very large aperture lenses arrived. Now, just open up the aperture to its widest setting (if there is anything you can adjust on the lens, of course), frame your working composition and shoot happily away.

Wood Anemone and Sunset

Wood Anemone and Sunset

© Bjørn Rørslett/N

Nikon D1X, Ultra-Micro-Nikkor 55mm f/2

Because of the softness imparted by the large aperture, you can easily select a suitable background for your subject. Just a slight movement of the shooting direction and the background will change completely

Need for Speed

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Last Update 24 December, 2002